[1], Another copy, dated 1649, by Matthew Snelling, is in Alnwick Castle.[2]. While the art world knows endless information about the masterpieces it does have, the lesser-known but nonetheless brilliant works hold clues which, when (if) discovered, can immediately elevate their status. "The sitter's expression alone tells us that this is not a portrait of a miniature adult, as one so often sees in the 17th century, but of a child. [2] He has made a number of major art discoveries, including works of Thomas Gainsborough, Anthony Van Dyck and Thomas Lawrence . It's a risky business, but . 88. Answering the programme's call for works of art other than paintings, Philip and Fiona investigate a plaster sculpture that appears to be of Tte qui regarde (French for 'Gazing Head'), an early work by Alberto Giacometti. And, finally, there was James, 3rd marquess, later 1st duke of Hamilton, who served as the Master of the Horse and Gentleman of the Bedchamber to the king, both distinguished and powerful offices of the sovereigns household, which brought him into regular and close contact with Charles. 1sts Queen, by Vandyck.". Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. He was knighted that same year. Van Dyck infused his portraits of the king and queen, including this depiction of Queen Henrietta Maria at age 24, with a tenderness and warmth of expression that fully convey the ideals of peace and harmony that underlay their philosophy of divine right to rule. Philip Mould was stated to have considered the Series 4 case of a Churchill painting as one of the most unsatisfactory endings to date, before it was finally authenticated in 2020. (105.7 84.5 cm) Classification: Paintings Credit Line: Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019 Accession Number: 2019.141.10 Learn more about this artwork The fluted column emphasizes her already exaggerated height, and the crown and cloth of gold emphasize her royalty. Philip Mould Ltd, 18-19 Pall Mall, London, SW1Y 5LU. The possible attribution to Van Dyck was considered for both of these works. ), A pre-1716 inventory of paintings at Surrey Street, London, belonging to the Hon. However, the reality is that new discoveries are made more regularly than one might imagine: be that re-discovering lost works, determining the painter of a previously unattributed work or even exposing the misattribution of a long-accepted official painting. [45] It was originally planned to have four episodes before one, "Giacometti", was postponed.[46]. 0:08:36 . "[11] Tom Sutcliffe in The Independent had a mixed view as a result of the presentation of the facts, saying: "It was full of cliffhanger tension and thrilling moments of discovery. Less visibly, infra-red reflectograms have revealed overpainted details in Jan Van Eycks famous Arnolfini marriage portrait, including the mans feet having been underdrawn in different positions and both sitters heads having been originally higher on the canvas. The public auction saw both works attract determined bidding nonetheless and both works sold for full prices.". His wish was granted in 1628, when the collection of the Gonzaga dukes of Mantua came up for sale. All this information gave Mould the confidence to bid way beyond the estimate, although, he admitted, "there is a note of fear that runs through all of us which is how badly you can screw up if you get it wrong". Any reference to condition in the condition report for the lot does not amount to a full description of condition. Leafing through the catalogue, Mould was struck by a "devastatingly pretty portrait of a girl". The inventories cited below are in the collection of the Weston Park Foundation, near Shifnal, in Shropshire, England. He is particularly concerned by the colouring which, he feels, is tonally dissimilar to Churchill's accepted oeuvre. Henrietta Mary Wilmot, 83, of Glendale, passed away on January 21, 2019 in Glendale, AZ. The contents of the house were not to be inherited by any husband of Caroline, and therefore not by Joseph Damer, who died after his wife, in 1798. The blue fabric is covered with short, diagonal strokes of lighter blue. Anthony van Dyck (1599-1641) Charles I and Henrietta Maria Holding a Laurel Wreath, 1632. Still, the team was persuaded to take another look. Nevertheless, Charles I, formed by his family, circle of male supporters, his consort, and his adventures at the Spanish Habsburg court, was pivotal in bequeathing an incomparable legacy to the history of the visual and decorative arts in Great Britain. Philip had sold another picture of Henrietta Maria where she's looking the same way. 3, p. 95, no. recently discovered by Philip Mould Ltd and taken while the Queen was beginning her long period of exile in Paris, is perhaps the most faithful likeness of her in later life. Now, as a rare Van Dyck child portrait, it is valued at 3.5m. Series 7, episode 5 saw the show tackle their first sculpture, a work attributed to Alberto Giacometti. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. The canvas has a firm lining and the paint surface is clean with a clear and even varnish. A fluted column rises to our right of the woman, and a gold, brocade curtain hangs down the right edge of the canvas, partially in front of the column. The team establish provenance that takes it back to Gauguin and show that it had been cut from the sketchbook sometime between 1916 and 1932. presenters 'in dispute' over new BBC show", Learn how and when to remove this template message, portrait of Queen Henrietta Maria, as St Catherine, East Anglian School of Painting and Drawing, Wooded landscape with gipsies round a camp fire, Georgiana Cavendish, Duchess of Devonshire, Paul Mellon Centre for Studies in British Art, "RTS West of England Awards 2016 | Royal Television Society", "It's a copy: Fake or Fortune? 2019.141.10. The lot is sold in the condition it is in at the time of sale. On this Wikipedia the language links are at the top of the page across from the article title. Oil on canvas, Dimensions:
14; 1844, no. One of the paintings surfaced among artworks that were looted by the Nazis and were auctioned last September by Christie's in Paris following their return to their original owners, the Rothschilds. 6th St and Constitution Ave NW It had a saleroom estimate of 13,200-17,600. [72], Reviewing an episode of the seventh series, Michael Hogan of The Daily Telegraph wrote: "Arts programming is an increasingly endangered beast on prime time television. Instead, Caroline's son, George Damer, became the next owner of the painting. Despite this evidence, Coombs' initial 'serious misgivings' have not disappeared, and he decides to include the painting in his catalogue raisonn, although only in the 'Mysteries' section. Van Dyck portrayed her dressed for the hunt in a brilliant blue satin riding costume with a delicate lace collar instead of the stiff and formal Elizabethan ruff still widely in use. has drawn audiences of up to 5million viewers in the UK,[2] the highest for an arts show in that country. She was a loving grandmother to 15 grandchildren and 22 . Van Dyck was born in Antwerp in 1599. Sir Anthony Van Dyck: Oliver Cromwell Robert Walker: Mary and Margaret Gyfford, aged 13 and 12 . Days later, his restorer removed dirt and varnish, revealing subtler brush strokes and colours, especially around the eyes. Antiques Trade Gazette. Henrietta Maria, daughter of King Henri IV of France and sister of King Louis XIII, exerted a strong influence on court fashion and protocol, and introduced continental fashions and Italianate gardens to England. [1] Since the first series aired in 2011, Fake or Fortune? 41 5/8 33 1/4 in. Its muted colours suggested it was not painted using oil. Search by Sitter. What lies beneath. Upon her return to England she briefly lived in the Queen's House from 1662-1663 . was the six-month stay, in 1623, alongside his confidant, Buckingham, at the court of the Spanish Habsburg king, Philip IV, in Madrid, a court renowned for its rigid formality and complicated . A counterpart to van Dyck's portrait of Princess Mary Henrietta (below, at #2), this portrait of the girl's older brother, 11-year-old Prince Charles II sold at Sotheby's in February 2018 . Over ten years van Dyck painted many royal portraits for Charles I and his wife Henrietta Maria. We are closed on December 25 and January 1. Meanwhile Fiona explains to the owner their team researched every local lead in the hopes of establishing a provenance trail back from the curio shop where the painting was purchased. Public domain data for this object can also be accessed using the Met's Open Access API. Thomas Newport [c. 1655-1719, created 1st and last Baron Torrington in 1716], London, before 1716;[1] by inheritance to his third wife and widow, Anne, Lady Torrington [d. 1735, ne Anne Pierrepont], Newport House, Twickenham, and London;[2] by inheritance to her sister-in-law, Mary, Countess of Bradford [1661- 1737, ne Mary Wilbraham, widow of Richard Newport, 2nd earl of Bradford of the first creation], Weston Park, Shropshire;[3] by inheritance to her daughter, Diana, Countess of Mountrath [d. 1766, ne Lady Diana Newport, wife of Algernon Coote, 6th earl of Mountrath], 20-21 Grosvenor Square, London;[4] by inheritance to Caroline, Baroness Milton [1718- 1775, ne Lady Caroline Sackville, wife of Joseph Damer, later 1st earl of Dorchester], Milton Abbey, Dorset;[5] by inheritance to her son, George Damer, 2nd and last earl of Dorchester [1746-1808], Milton Abbey; by inheritance to his sister, Caroline Damer [1752-1829], Milton Abbey; by inheritance to her first cousin once-removed, John Dawson, 2nd earl of Portarlington [1781-1845], Milton Abbey; by inheritance to his nephew, Henry John Reuben Dawson-Damer, 3rd earl of Portarlington [1822-1889], Emo Park, Queens County, Ireland; by exchange 1881 to Thomas George Baring, 1st earl of Northbrook [1826-1904], Stratton Park, Hampshire; by inheritance to his son, Francis George Baring, 2nd earl of Northbrook [1850-1929], Stratton Park;[6] sold March 1927 to (Duveen Brothers, Inc., London, New York, and Paris);[7] sold May 1928 to William Randolph Hearst [1863-1951], San Simeon, California; on consignment 1938 with (M. Knoedler and Co., New York) by (Parish-Watson and Co., New York), for Hearst; returned 1939 to Hearst; (his sale, held at Gimbel's and Saks Fifth Avenue by Hammer Galleries, New York, 25 March 1941, no. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). [40][7], Filming for the fifth series started on 24 November 2015. The studying of pentimenti has even been used in cases such as with the (contested) attribution of the Salvator Mundi to da Vinci, which famously sold for $450 million in 2017. When autocomplete results are available use up and down arrows to review and enter to select . Many comparables of his brushstrokes hanging there too." Watch. Henrietta Maria was the youngest daughter of Henry IV of France (Henry III of Navarre) and his second wife, Marie de' Medici, and was named after her parents. This portrait is based on Van Dyck's lost original of circa 1636. The painting then disappears from all subsequent inventories. ), Jeremy Wood, Anthony Van Dyck (15991641),, Posted 2 years ago. The condition report may not refer to all faults, restoration, alteration or adaptation. (artist) | Series 2 - 2. The best of times, the worst of times: A tale of Man City, Eastern European Expeditions: Warsaw and the Problem of Old Towns, Behind the Busker: Covers from the Heart with Caleb and Hari. Only a few years later he was working as the chief assistant to the great Flemish painter Peter Paul Rubens. This double portrait represents a key moment in Van Dyck's English career. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). returns to screens this month", "Trailer for 'Fake or Fortune?' [6] The provenance of the painting from its presence at Milton Abbey to Duveen Brothers is according to Arthur K. Wheelock, Jr., Susan J. Barnes, et al., Anthony van Dyck, exh. has drawn audiences of up to 5 million viewers in the UK, the highest for an arts show in that country. ), Sir Anthony van Dyck The paint surface shows evidence of slight wear, notably in the darker pigments. Most exciting was the fact that the new series debut episode delved into the archives of the Bodleian library: having examined their picture archives, Grosvenor selected a painting which he believed to be a forgotten work by Pompeo Batoni, an artist renowned for his understanding of and attention to technical detail, as well as his ability to capture quite remarkably the character of his sitters (many of whom were young aristocratic men exploring Rome as part of their Grand Tour following University). Flemish, 1599 - 1641. From their Web site; increased exposure. Queen Henrietta Maria, Artist:
By the 1630s, she had blossomed into a notable patron of the arts in her own right, of the visual arts and the dramatic arts, luxury goods and devotional objects, buildings and interior designs. His wish was granted between 1627 and 1628, when the renowned and lavish collection of the Gonzaga dukes of Mantua came up for sale. His eye was caught by a picture catalogued as "After Van Dyck, Portrait of Olivia Porter". [2] An inventory of paintings belonging to Lady Torrington at her house in Twickenham and dated 9 November 1719, lists "In the HallWhole lengthsKing Charles the first's Queen, by Vandyke." They travel around the country and the world, studying the artists at exhibitions, meeting up with international experts and following up local leads. Charles purchased it at a colossal cost (it took him two years to pay what he owed). We continue to research and examine historical and cultural context for objects in The Met collection. In this case, three portraits the first of a young lady that is attributed to, A still-life painting of a glass jug, plates and two pears was purchased by a woman in 2006 as a, The team investigate whether a small watercolour sketch is by British 20th-century sculptor, The team investigate an oil painting suggested to be the original for the print, The team investigate a 1858 painting titled, The team examine a 1846 painting which may be, Fiona Bruce and Ben Mould attempt to uncover the history of an unusual painting on plaster in the former home of amateur sculptor Fred Murray, brother of noted British ceramicist, The team examine a painting depicting the Lamentation of Christ hanging in a Catholic church in, This page was last edited on 26 February 2023, at 11:54. A head study by Van Dyck discovered on The Antiques Roadshow, and which was originally bought by a priest in an antiques shop in Nantwich for 400, will be sold this summer by Christie's. The estimate will be 400,000-500,000. It is accepted as genuine by the Wildenstein Institute. Historical Portraits Picture Library (select convert(int,CHAR(65))) Search by Artist. Married by proxy in May 1625, she landed in England the following month and began her life as Queen of England at the age of sixteen. television show", "Philip Mould on Twitter: So, this week's #fakeorfortune was designed to go out last year but there were research and authentication issues which meant we were not ready to go. This magnificent portrait of the Queen is the type of painting that the king would traditionally present to a court favorite for political purposes. The great Dutch artist, who was court painter to British monarchs depicted husband Charles I in the form of the Catholic St. Catherine of Alexandria. [68] In The Daily Telegraph, Ceri Radford was described as being "flabbergasted" at the result of the first episode, but concluded her review by saying: "This may have been a disappointing finale, but it at least confirmed that this aesthetically pleasing, quietly enjoyable new series isn't afraid to thwart expectations. He has rounded cheeks, and his lips are parted in a slight smile. Back in London, Philip uses technical analysis to confirm the presence of linseed oil and honey in the paint, highly specific to de Chirico. 19648 Obituaries. An admirer of continental European cultures, Arundel was one of the richest aristocrats in England; some 600 paintings, including 37 works by Titian, were accounted for at the earls death. "[69], The first programme of the third series, shown in the UK on 19 January 2014, had 4.8million viewers (a 21.8% audience share)[70] while the first programme of the fourth series attracted 4.85m (24.5%). Many, however, remain dispersed across museums and collections in Europe, most notably the Muse du Louvre in Paris, the Museo Nacional del Prado in Spain, and the Kunsthistoriches Museum in Vienna. (104 176 cm) Archbishop's Castle and Gardens, Krom. She was born on April 3, 1935 to Frederick and Catherine Van Schaik in Chicago, IL. - BBC One", "Mystery of Sir Winston Churchill's paintings finally solved", "Munnings and Churchill, Series 4, Fake or Fortune? Today. This absorbing and enjoyable series flies the flag in quietly thrilling fashion. The images of the lot form part of the condition report for the lot. But Mould won. Maintenant disponible sur AbeBooks.fr - Hardcover - Cologne, Cornelius van Egmondt - 1631 - Etat : Very Good - [SEXUAL ABSTINENCE FROM KENELM DIGBY S LIBRARY] 24mo., pp. in Britain found a portrait of Queen Henrietta Maria (1609 - 1669) painted by Anthony van Dyck. This portrait has so far been known only in the later and less successful copies of other authors. 174-1);[8] consigned 1952 by Hearst's estate to (M. Knoedler and Co., New York); sold September 1952 to the Samuel H. Kress Foundation, New York;[9] gift 1952 to NGA. It had been bought by the viewer's art historian grandfather, but its authenticity was in doubt because it appeared to be a copy of a sketch in Gauguin's notebook. The bill of sale from Knoedler to the Kress Foundation is dated 5 September 1952 and marked paid September 18 (copy in NGA curatorial files, see also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1751). "You have to look casually and pretend to be interested in a few other duds," Grosvenor said. While this is less so the case nowadays, where understanding of conservation surely guarantees the safe conservation of the original image, this was sadly not always the case during the pre-modern period. 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